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Saturday, April 21, 2012
Complete Duo Recordings
Complete Duo Recordings
Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.
Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."
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Saturday, March 24, 2012
Leopold Stokowski: The Stereo Collection 1954-1975
Leopold Stokowski: The Stereo Collection 1954-1975
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Post Date : Mar 25, 2012 00:30:28
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Friday, February 17, 2012
Mozart Edition: Complete Works (170 CD Box Set)
!±8±Mozart Edition: Complete Works (170 CD Box Set)
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Price : $149.98
Post Date : Feb 17, 2012 18:41:24
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170 CDs - DVD - CD-Rom: for completeness, pure musical enjoyment, scholarly research, attractive, space-saving design and price, you cannot afford to be without Brilliant Classics' improved Complete Mozart Edition! Now New & Improved! The Brilliant Classics Complete Mozart Edition, released in 2006, was an international hit, winning rave reviews from critics and customers alike for the quality of the music making and representing great value for money, and has become a standard in itself! Recent research to collect the most scholarly correct performances, numerous new and superior performance replacing previous versions. The interpretation of Mozart's music continues to evolve and, four years after the original release, Brilliant Classics' Complete Mozart Edition has evolved with it. The new recordings by prominent Mozart performers such as Guiliano Carmignola (violin concertos) and Oficina Musicum (La Betulia Liberata) are included. The Packaging: new, completely redesigned packaging means CDs in slipcases and the complete set neatly displayable in a single, attractive space-saving box.. The Enhanced Contents - Brilliant Classics' Complete Mozart Edition contains: 170 CDs representing the entirety of Wolfgang Amadeus Mozart's oeuvre in historically informed Performances; 1 Interactive DVD: The most comprehensive survey of Mozart's life and music, a step-by-step celebration in sound and vision of the creations of a genius.; 1 CD-ROM containing liner notes and performers' biographies in English, librettos and sung texts, complete 2010 Brilliant Classics catalogue; Mozart Interactive - An Interactive DVD by Titus Leber.
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Sunday, January 8, 2012
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Sunday, January 1, 2012
Sofa Cushion Replacement For Making Your Couch Feel Like New
Remember how fantastic your sofa felt when you sat on it for the first time? It was really nice to sit on and very comfortable. However, these days you've noticed that it just doesn't feel like it used to. It's now saggy and not as comfy. You feel like you are sitting 'in' it rather that 'on' it. So it's time to scrap it and buy a new one? No! You can renovate your old sofa and make it feel like new again.
The problem is the sofa cushions are made from a polyurethane foam rubber and over time this foam starts to lose its rigidity and springiness. The more you use your sofa the more it will wear so follow these simple steps and you will have your old sofa feeling like new again in no time.
Measure your existing cushions carefully. Note down the thickness of the cushions together with the length and width. Make sure you measure the longest length if your cushions are not square. It's best to temporary remove the foam from one the cushions whilst you are taking the measurements.
Decide which level of firmness you want your new foam to be. Do you want it more firm or less firm? Before you order the new foam you may want to opt for a large six foot length that could be cut into smaller pieces. This would work out more cost effective than ordering tailored sizes. When you are happy then place your order based on the measurements you have made.
When the foam arrives, cut it to the exact size of the measurements you took. Or alternatively, remove the foam from your old sofa and lay it on top of the new foam. This will act as a template while you trace around the old foam. Now carefully cut the foam to the new size. Make sure you cut the foam at a 90 degree angle so the cut is square.
Finally insert your new foam into the old cushion covers. You may find that you may have to compress the foam to get it into the covers and once inserted be sure all of the corners are snug and it is sitting square in the cushion cover.
It's easy to revitalize your old sofa and make it feel like new again saving you a lot your hard earned cash to spend on something else.